Riccardo Tisci

Givenchy Couture, S 2011

Central Saint Martin's grad Riccardo Tisci is in consideration for Dior. Here is a look back at Givenchy.

F 2010 above and below in detail

F 2009

F 2008

Fashion + Art

Coco Rocha by Guy Aroch for WWD, 2008

Zandra Rhodes Exhibition

Rhodes in her own design, New York Times

The San Diego Mingei International Museum is exhibiting haute couture of Zandra Rhodes from the 1960's through the 80's. The exhibit is up until April 3, 2011.

Rhodes' showroom expresses her multi-colored palette

McDean Vs. Godard

Or should we say Valetta Vs. Bardot. Another Godard inspired editorial...

Starring: Amber Valetta by Craig McDean, Vogue Italia, March 2011

Vs.

Le mépris by Jean-Luc Godard, 1963

Baron de Redé

Baron Alexis de Rede in St.-Jean-Cap-Ferrat, 1971

I have written before about Parisian countesses and in the same circle we find man of leisure, man of style Baron de Redé, a self-proclaimed aesthete. A Swiss born graduate of Le Rosey, he considered his noblesse oblige to give aristocratic style back to the world. He supervised the restoration of the Hotel Lambert in Paris and then utilized it to host the most fashionable parties of the moment, most notably Bal oriental in 1969. He supported both fashion and art, commissioning YSL to create party headdresses and initiating a fine art fund called Artemis.

Above the Bal oriental and below the Hotel Lambert now the Paris residence of Baron Guy de Rothschild.

The End

Dior, F 2011

The end. Fashion secretly loves it when something comes to a conclusion, because endings, and only endings, mean something new is on its way. This season's fashion circuit is now over and the new is already old. But there is a larger ending that has happened in the past year, the turn of a decade. The transition began with the death of McQueen, followed by the departure of Carine Roitfeld and now Galliano, with Decarnin at Balmain also in a failing state. Fashion is entering a new era and it is not always for the better, but always for the new.

At Dior, reform will mean new life. For Alexander McQueen, Sarah Burton has brought more wearable designs that keep the dream alive but also the corporation.

McQueen, F 2011

Hermès, F 2011

Fashion loves endings but it is never finished. The system of fashion is an endless addendum. I previously posted on the recurrent event of fashion week. It is the ultimate "All for Nothing," aiming for the highest dream, then over in an instant. This is a great love affair, acted out by thousands, giving everything over to a few weeks with no real commitments, and with the expectation that there will be another next best thing in just a few months. It could be argued that fashion is art on speed, quickly achieving creative aims and so amped it does not remember what it just made. But it could also be argued that fashion is art's ultimate form, the enactment of creativity made complete by entering the real world. Fashion works through the aesthetic landscape, through individuals and social groups, becoming part of the collective consciousness. While clothing is what we wear, fashion is what we enact and become; it is the vibrant expression of human renewal. For this reason, we can clearly never get enough.

Gucci, F 2011

Yamamoto at V&A

The can't miss V&A show of the art of Yoji Yamamoto will be open until July 10. It features 30 years of work with 60 pieces.